This is the place where you can personalize your profile!
But, how?
By moving, adding and personalizing widgets.
You can drag and drop to rearrange.
You can edit widgets to customize them.
The bottom has widgets you can add!
Some widgets you can only access when you get a premium membership.
Some widgets have options that are only available when you get a premium membership.
We've split the page into zones!
Certain widgets can only be added to certain zones.
"Why," you ask? Because we want profile pages to have freedom of customization, but also to have some consistency. This way, when anyone visits a deviant, they know they can always find the art in the top left, and personal info in the top right.
Don't forget, restraints can bring out the creativity in you!
Now go forth and astound us all with your devious profiles!
Css by `brgtt Avatar by `snowmask Quote by Erica Jong
I'm only sad it took so long for people to see what's been happening for a long time around here. You know what I'm talking about. I don't even need a link. EDIT: I was wrong. It seems I do need a link: [link]
Anyway, as per usual, letting you know the best way to contact me is through my Email, Twitter, G+ and Diaspora accounts. Or just google Helewidis and/or Eloísa Valdes.
Last deviation I posted, back in 2010, was symbolic: I don't know if the message got across, because I'm still getting new watchers despite my lack of significant activity here, but - and this is the message: I'm never going to post my work in here anymore, nor sell prints here, nor be happy here.
What I do know is that I've made a lot of friends here that I don't want to miss out on. This is why I've been giving you links and ways to contact me elsewhere since 2010 ---> [link]
Sta.sh
You can see my work at:
i miss you
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and she shows you where to look
among the garbage and the flowers
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Commission open!
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"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep." --Scott Adams
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And there is a smile of smiles
In which these two smiles meet
William Blake
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